ÂÅÐÕÀÐÍ, ÝÌÈËÜ
ÂÅÐÕÀÐÍ, ÝÌÈËÜ ÂÅÐÕÀÐÍ, ÝÌÈËÜ
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Ãëàâíàÿ > ÂÅÐÕÀÐÍ, ÝÌÈËÜ

ÂÅÐÕÀÐÍ, ÝÌÈËÜ

ÂÅÐÕÀÐÍ, ÝÌÈËÜ
ÂÅÐÕÀÐÍ, ÝÌÈËÜ (Verhaeren, Emile) (1855-1916), áåëüãèéñêèé ïîýò è äðàìàòóðã. Ðîäèëñÿ 21 ìàÿ 1855 â ãîðîäå Ñåíò-Àìàí, áëèç Àíòâåðïåíà. Èçó÷àë ïðàâî è áûë äîïóùåí ê ñóäåáíîé ïðàêòèêå â 1881, íî âñêîðå ðåøèë ïîñâÿòèòü ñåáÿ ëèòåðàòóðå. Ïåðâûå ñòèõè Âåðõàðíà îòëè÷àëèñü ïàðíàññêîé îòòî÷åííîñòüþ ôîðìû, õîòÿ ñþæåòû îí èçáèðàë äàëåêî íå êëàññè÷åñêèå, ïðåäïî÷èòàÿ èçîáðàæàòü íàñûùåííûå æèçíüþ "ôëàìàíäñêèå" ñåëüñêèå ñöåíû (öèêë Ôëàìàíäêè - Les Flamandes, 1883) èëè æå ïûëêîå áëàãî÷åñòèå ñðåäíåâåêîâûõ ïîäâèæíèêîâ (Ìîíàõè - Les Moines, 1886).  1900 îí ïèøåò äðàìó Ìîíàñòûðü (Le Clotre), â êîòîðîé ïûòàåòñÿ îñîâðåìåíèòü ñðåäíåâåêîâûé èäåàë ìîíàøåñêîé æèçíè. Ñáîðíèêè Âå÷åðà (Les Soires, 1887), Êðóøåíèÿ (Les Dbcles, 1888) è ×åðíûå ôàêåëû (Les Flambeaux noirs, 1890) îáðàçóþò òðèëîãèþ î òðàãè÷íîñòè ÷åëîâå÷åñêîãî ñóùåñòâîâàíèÿ. Çàòî ñëåäóþùèé ñáîðíèê, Ïðåäñòàâøèå íà ìîèõ ïóòÿõ (Les Apparus dans mes chemins, 1891), êîí÷àåòñÿ íà îïòèìèñòè÷åñêîé íîòå, ïðèçûâàÿ ÷åëîâåêà ñîõðàíÿòü ìóæåñòâî. Öèêëû Ïîëÿ â áðåäó (Les Campagnes hallucines, 1893), Ïðèçðà÷íûå äåðåâíè (Les Villages illusoires, 1894) è Ãîðîäà-ñïðóòû (Les Villes tentaculaires, 1895) ñîñòàâëÿþò åùå îäíó, ñîöèàëüíóþ òðèëîãèþ, ïðîñëàâëÿþùóþ ýíåðãèþ ÷åëîâå÷åñêîãî òðóäà. Ðàííèå ÷àñû (Les Heures claires, 1891), Ïîñëåïîëóäåííûå ÷àñû (Les Heures d'aprs-midi, 1905) è Âå÷åðíèå ÷àñû (Les Heures du soir, 1911) - ñòèõè î ëþáâè, è èì ñâîéñòâåííà òà æå îñòðîòà ïåðåæèâàíèÿ æèçíè, ÷òî ïðèâëåêàåò â ðàííèõ ñòèõàõ Âåðõàðíà. Ñáîðíèêè Ëèêè æèçíè (Les Visages de la vie, 1899), Áóéíûå ñèëû (Les Forces tumultueuses, 1902), Ìíîãîöâåòíîå ñèÿíèå (La multiple splendeur, 1906), Äåðæàâíûå ðèòìû (Les Rythmes souverains, 1910), Àëûå êðûëüÿ âîéíû (Les Ailes rouges de la guerre, 1916) â çíà÷èòåëüíîé ñòåïåíè äèäàêòè÷íû, îíè îòðàæàþò âåðó Âåðõàðíà â íåáåñïîëåçíîñòü ÷åëîâå÷åñêèõ óñèëèé. Âåðõàðí ïîãèá â æåëåçíîäîðîæíîé êàòàñòðîôå â Ðóàíå 27 íîÿáðÿ 1916.


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ÂÅÐÕÀÐÍ, ÝÌÈËÜ



 

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