ÂÈÇÅËÜ, ÝËÈ
ÂÈÇÅËÜ, ÝËÈ ÂÈÇÅËÜ, ÝËÈ
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Ãëàâíàÿ > ÂÈÇÅËÜ, ÝËÈ

ÂÈÇÅËÜ, ÝËÈ

ÂÈÇÅËÜ, ÝËÈ
ÂÈÇÅËÜ, ÝËÈ (Wiesel, Elie) (ð. 1928), åâðåéñêèé ðîìàíèñò, æóðíàëèñò è ïðåïîäàâàòåëü. Ðîäèëñÿ 30 ñåíòÿáðÿ 1928 â Ñèãåòå (Ðóìûíèÿ). Ïîëó÷èë ðåëèãèîçíîå îáðàçîâàíèå.  1944 åâðåè åãî ãîðîäà áûëè äåïîðòèðîâàíû â ðàçëè÷íûå êîíöåíòðàöèîííûå ëàãåðÿ, ãäå áîëüøèíñòâî èõ ïîãèáëî. Âèçåëü ñïàññÿ è æèë ñíà÷àëà â Ïàðèæå, ãäå â 1948-1951 ó÷èëñÿ â Ñîðáîííå, à â 1956 ïåðååõàë â Íüþ-Éîðê.  1963 ïîëó÷èë ãðàæäàíñòâî ÑØÀ.  1983 åãî ðîìàíû Çàâåùàíèå óáèåííîãî åâðåéñêîãî ïîýòà (Le testament d'un pote Juif assassin, 1980) è Ñëîâà ÷óæàêîâ (Paroles d'etrangers, 1982) áûëè îòìå÷åíû Ìåæäóíàðîäíîé ëèòåðàòóðíîé ïðåìèåé çà ìèðîòâîð÷åñòâî.  1985 Âèçåëü áûë íàãðàæäåí Çîëîòîé ìåäàëüþ Êîíãðåññà.  1986 áûë óäîñòîåí Íîáåëåâñêîé ïðåìèè ìèðà.  êîíöå 1950-õ ãîäîâ Âèçåëü îáðàòèëñÿ ê ëèòåðàòóðå; õóäîæåñòâåííûå ïðîèçâåäåíèÿ îí òàêæå ïèñàë ïî-ôðàíöóçñêè. Êíèãà Íî÷ü (La Nuit, 1958) ïîâåäàëà î ïåðåæèòîì â Îñâåíöèìå, î áåñ÷åëîâå÷íîñòè, î ñìåðòè.  êíèãå Âðàòà ëåñà (Les Portes de la Fret, 1966) ïîêàçûâàåòñÿ óíè÷òîæåíèå åâðååâ â îêêóïèðîâàííîé íàöèñòàìè Âåíãðèè, áåññìûñëåííîñòü ýòèõ çâåðñòâ è íåâîçìîæíîñòü ðåëèãèîçíîãî îñìûñëåíèÿ ïîäîáíûõ ñîáûòèé.  ÷èñëå äðóãèõ ïðîèçâåäåíèé Âèçåëÿ - Ðàññâåò (L'Aube, 1960), Äåíü (Le jour, 1961), Åâðåè áåçìîëâèÿ (Les Juifs du silence, 1966), Èåðóñàëèìñêèé íèùèé (Le mendiant de Jerusalem, 1968), Õàñèäñêîå âåñåëüå (Clbration Hassidique, 1971), Êëÿòâà â Êîëüâèéÿêå (Le serment au Kolvillaq, 1973), Çàëüìàí, èëè Áîæåñòâåííîå áåçóìèå (Zalman ou la folie de Dieu, 1968), Ïÿòûé ñûí (Le cinquime fils, 1983),  ñóìåðêàõ âäàëè (La crpuscule, au loin, 1987).


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ÂÈÇÅËÜ, ÝËÈ



 

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