ÀÊÒÅÐÑÊÎÅ ÈÑÊÓÑÑÒÂÎ: ÄÐÀÌÀÒÈ×ÅÑÊÈÅ ÀÊÒÅÐÛ
ÀÊÒÅÐÑÊÎÅ ÈÑÊÓÑÑÒÂÎ: ÄÐÀÌÀÒÈ×ÅÑÊÈÅ ÀÊÒÅÐÛ
ÀÊÒÅÐÑÊÎÅ ÈÑÊÓÑÑÒÂÎ: ÄÐÀÌÀÒÈ×ÅÑÊÈÅ ÀÊÒÅÐÛ
Ê ñòàòüå ÀÊÒÅÐÑÊÎÅ ÈÑÊÓÑÑÒÂÎ
ÀÄÀÌÑ, ÌÎÄ
(Adams, Maude) (1872-1953) (íàñò. ôàì. Êèñêàääåí, Kiskadden), ÑØÀ; Ïèòåð â Ïèòåðå Ïýíå (Peter Ðàn); ãëàâíàÿ ïàðòíåðøà àêòåðà Äæîíà Äðó.
ÀËÅÊÑÀÍÄÅÐ, ÄÆÅÉÍ
(Alexander, Jane) (ð. 1939) (íàñò. ôàì. Êóèãëè, Quigley), ÑØÀ; äðàìàòè÷åñêàÿ àêòðèñà; íà íüþ-éîðêñêîé ñöåíå: Áîëüøàÿ áåëàÿ íàäåæäà (The Great White Hope, 1968, ïðåìèÿ "Òîíè"; ýêðàíèçàöèÿ, 1970), Ãàìëåò (1975), Ïåðâûé ïîíåäåëüíèê îêòÿáðÿ (First Monday in 0ctober, 1978), Âèçèò ñòàðîé äàìû (The Visit, 1992) Ô.Äþððåíìàòòà; ôèëüìû: Âñÿ ïðåçèäåíòñêàÿ ðàòü (All the President's Men, 1976), Êðàìåð ïðîòèâ Êðàìåðà (Kramer vs. Kramer, 1979), Çàâåò (Testament, 1983), Ñëàâà (Glory, 1989); íà òåëåâèäåíèè: Ýëåîíîðà è Ôðàíêëèí (Eleanor and Franklin, 1976), Âîïðîñ ëþáâè (A Question of Love, 1978), Èãðàÿ íà âðåìÿ (Playing for Time, 1980, ïðåìèÿ "Ýììè").  1993 âîçãëàâèëà Íàöèîíàëüíûé ôîíä èñêóññòâ.
ÀËËÅÉÍ, ÝÄÂÀÐÄ
(Alleyn, Edward) (1566-1626), Àíãëèÿ; àêòåð-òðàãèê, èãðàë â òðóïïàõ ëîðäà Âóñòåðà è "Ñëóã ëîðäà àäìèðàëà", ïðîñëàâèëñÿ èñïîëíåíèåì ïåðâûõ ðîëåé â Òàìåðëàíå Âåëèêîì, Äîêòîðå Ôàóñòå è Ìàëüòèéñêîì åâðåå Êðèñòîôåðà Ìàðëî.
ÀÍÄÅÐÑÎÍ, ÄÆÓÄÈÒ
(Anderson, Judit) (1898-1992), Àâñòðàëèÿ, ÑØÀ; íà íüþ-éîðêñêîé è ëîíäîíñêîé ñöåíàõ ñûãðàëà ëåäè Ìàêáåò, êîðîëåâó Ãåðòðóäó (Ãàìëåò), Îëüãó (Òðè ñåñòðû); èãðàëà â ïüåñàõ Þ.Î'Íèëà, Åâðèïèäà; ñíèìàëàñü â êèíî; â 1960 íàãðàæäåíà îðäåíîì Áðèòàíñêîé èìïåðèè.
ÁÀÍÊÐÎÔÒ, ÝÍÍ
(Bancroft, Ànnå) (ð. 1931) (íàñò. ôàì. Èòàëüÿíî, Italiano), ÑØÀ; ñûãðàëà â ñïåêòàêëå è ôèëüìå Ñîòâîðèâøàÿ ÷óäî (The Miracle Worker, 1959, ïðåìèÿ "Òîíè"; ýêðàíèçàöèÿ, 1962, ïðåìèÿ "Îñêàð") Ó.Ãèáñîíà; ïüåñû: Äâîå íà êà÷åëÿõ (Two For The Seesaw, 1958, ïðåìèÿ "Òîíè") Ó.Ãèáñîíà, Ãîëäà (Goldà, 1977); ôèëüìû: Ïîæèðàòåëü òûêâ (The Pumpkin Eater, 1964), Âûïóñêíèê (The Graduate, 1967), Ïîâîðîòíûé ïóíêò (The Turning Point, 1977), Áûòü èëü íå áûòü (1983), Áîæåñòâåííàÿ Àãíåññ (Agnes of God, 1985), ×àðèíã-Êðîññ-Ðîóä, 84 (Ñharing Cross Road, 1987), Ñòåãàíîå îäåÿëî ïî-àìåðèêàíñêè (How to Make an American Quilt, 1995); òåëåâèäåíèå: Ñòàðåéøàÿ èç âäîâ êîíôåäåðàòîâ ðàññêàçûâàåò âñå (The Oldest Living Confederate Widow Tells All, 1994).
ÁÀÍÊÕÅÄ, ÒÀËËÓËÀ
(Bankhead, Tallulah) (1903-1968), ÑØÀ, Àíãëèÿ; ïüåñû: Ïàäøèå àíãåëû (Fallen Angels, 1925) Í.Êîóàðäà, Äîæäü (Rain, 1935, ïî îäíîèìåííîé íîâåëëå Ó.Ñ.Ìîýìà) Ä.Êîëòîíà è Ê.Ðýíäîëôà, Àíòîíèé è Êëåîïàòðà (1937) Øåêñïèðà, Ëèñè÷êè (The Little Foxes, 1939) Ë.Õåëìàí, ×àñòíûå æèçíè (Private Lives, 1946) Í.Êîóàðäà, Äîðîãîé ×àðëç (Dear Charles, 1955), Ìîëî÷íûé ñîñòàâ çäåñü áîëüøå íå îñòàíàâëèâàåòñÿ (The Milk Train Doesn't Stop Here Anymore, 1964); ñíèìàëàñü òàêæå â ôèëüìàõ.
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